U.S Box Office December 11-13, 2009

#	Title	Dec 11 - 13		% Chg.	Theaters	Weeks	AVG	Cumulative
1	The Princess and the Frog	$ 24,208,916			3,434	3	$ 7,050	$ 27,088,786
2	The Blind Side	15,055,258		-24.9	3,388	4	4,444	149,816,797
3	Invictus	8,611,147			2,125	1	4,052	8,611,147
4	The Twilight Saga: New Moon	7,960,394		-48.4	3,635	4	2,190	267,320,977
5	A Christmas Carol	6,833,190		-12.0	2,402	6	2,845	124,426,097
6	Brothers	5,014,426		-47.4	2,088	2	2,402	17,416,217
7	Old Dogs	4,409,772		-36.0	3,090	3	1,427	39,996,273
8	2012	4,351,565		-35.7	2,838	5	1,533	155,288,405
9	Armored	3,504,374		-46.2	1,919	2	1,826	11,750,895
10	Ninja Assassin	2,707,470		-46.5	2,100	3	1,289	34,304,761

Source: Box Office Guru Read more!

"Robin Hood" Teaser Trailer

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Golden Globe Nominations 2010

Best Motion Picture -- Drama
Avatar
The Hurt Locker
Inglorious Basterds
Precious
Up in the Air

Best Performance by an Actress in a Motion Picture -- Drama
Emily Blunt, The Young Victoria
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sadibe, Precious

Best Performance by an Actor in a Motion Picture -- Drama
Jeff Bridges, Crazy Heart
George Clooney, Up in the Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Tobey Maguire, Brothers



Best Motion Picture -- Musical or Comedy
(500) Days of Summer
The Hangover
It's Complicated
Julie & Julia
Nine

Best Performance by an Actress in a Motion Picture -- Musical or Comedy
Sandra Bullock, The Proposal
Marion Cotillard, Nine
Meryl Streep, It's Complicated
Meryl Streep, Julie and Julia
Julia Roberts, Duplicity

Best Performance by an Actor in a Motion Picture -- Musical or Comedy
Matt Damon, The Informant
Daniel Day Lewis, Nine
Robert Downey Jr., Sherlock Holmes
Joseph Gordon Levitt, (500) Days of Summer
Michael Stuhlbarg, A Serious Man

Best Performance by an Actress in a Supporting Role in a Motion Picture
Mo-Nique, Precious
Julianne Moore, A Single Man
Anna Kendrick, Up in the Air
Vera Farmiga, Up in the Air
Penelope Cruz, Nine

Best Performance by an Actor in a Supporting Role in a Motion Picture
Matt Damon, Invictus
Stanley Tucci, The Lovely Bones
Christopher Plummer, The Last Station
Christopher Waltz, Inglorious Basterds
Woody Harrelson, The Messenger

Best Animated Feature Film
Coraline
The Fantastic Mr. Fox
Cloudy with a Chance of Meatballs
The Princess and the Frog
Up

Best Foreign Language Film
Barria
Broken Embraces
A Prophet
The White Ribbon
The Maid

Best Director -- Motion Picture
Kathryn Bigelow, The Hurt Locker
James Cameron, Avatar
Clint Eastwood, Invictus
Jason Reitman, Up in the Air
Quentin Tarantino, Inglorious Basterds

Best Screenplay -- Motion Picture
Up in the Air
It's Complicated
District 9
The Hurt Locker
Inglorious Basterds

Best Original Score -- Motion Picture
Michael Giacchino, Up
Marvin Hamlisch, The Informant
James Horner, Avatar
Abel Krozeniowski, A Single Man
Karen O. and Carter Burwell, Where the Wild Things Are

Best Original Song -- Motion Picture
"I Will See You," Avatar
"The Weary Kind," The Crazy Heart
"Winter," Brothers
"Cinema Italiano," Nine
"I Want to Come Home," Everybody's Fine


TV


Best Drama: Mad Men, Dexter, House, Big Love, True Blood

Best Comedy/Musical: 30 Rock, Modern Family, Entourage, Glee, The Office

Best Actor, Drama: Michael C. Hall (Dexter), Jon Hamm (Mad Men), Simon Baker (The Mentalist), Bill Paxton (Big Love), Hugh Laurie (House)

Best Actress, Drama: Glenn Close (Damages), January Jones (Mad Men), Kyra Sedgwick (The Closer), Anna Paquin (True Blood), Juliana Margulies (The Good Wife)


Best Actor, Comedy: Steve Carell (The Office), Alec Baldwin (30 Rock), David Duchovny (Californication), Thomas Jane (Hung), Matthew Morrison (Glee)

Best Actress, Comedy: Edie Falco (Nurse Jackie), Tina Fey (30 Rock), Courteney Cox (Cougar Town), Toni Collette (The United States of Tara), Lea Michele (Glee)

Best Supporting Actor: Michael Emerson (Lost), Jeremy Piven (Entourage), Neil Patrick Harris (How I Met Your Mother), William Hurt (Damages), John Lithgow (Dexter)

Best Supporting Actress: Jane Lynch (Glee), Rose Byrne (Damages), Janet McTeer (Into the Storm), Chloe Sevigny (Big Love), Jane Adams (Hung)

Best TV Movie/Miniseries: Grey Gardens, Georgia O'Keeffe, Little Dorrit, Into the Storm, Taking Chance
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'Avatar' Footage Impressions

Originally published on August 23, 2009

Avatar is a highly anticipated film.The reasons are obvious: it's the first J.Cameron film in more than a decade, the first since 'Titanic', it's a film, with brand-new technology, that promises to change the way we view cinema.Of course, one of the key factors to the success of 'Avatar' is its promotion.In an interesting move, a global event was organised, to promote the film, months before its release.

When i saw the first trailer, i was kind of underwhelmed, but i liked what i saw.Last Friday, it was 'Avatar' day.Almost 20 minutes of footage were shown in 3D, in cinemas around the world.I was one of the people, who saw the footage (which consists of 4 scenes, with a brief introduction by J.Cameron, and no major spoilers).I was certainly impressed.It seems that 3D is used to add depth to the image, and not as a simple gimmick.The film uses brand new technology internally developed in the director's studio, and the results are evident.You may not realise it, but most of the footage is computer-generated.The landscapes seem real, and you could say the same for the creatures and the Na' avi/Avatars.Pandora is a living, breathing world, and there were some really impressive shots.The purpose of the preview is to introduce us to the film, and to some of the characters, and this purpose is achieved.

It's going to be a long wait until December... Read more!

Halloween II: Alternate Ending

SPOILER WARNING



Source: Horror Squad

DVD/Blu-Ray Release Date: 12/1/2010 (U.S.A), 1/2/2010 (U.K)
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Tv Schedule: December 14-18, 2009

Monday December 14

How I Met Your Mother S05E11 "Last Cigarette Ever"

The Big Bang Theory S03E11 "The Maternal Congruence"

Lie To Me S02E11 "Tractor Man"


Wednesday December 16

Nip/Tuck S06E10 "Wesley Clovis"


Friday December 18

Dollhouse S02E09 "Stop-Loss"
S02E10 "The Attic" Read more!

"Brooklyn's Finest" Trailer

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Man of Extremes: The Return of James Cameron

by Dana Goodyear , New Yorker

October 26, 2009

The director James Cameron is six feet two and fair, with paper-white hair and turbid blue-green eyes. He is a screamer—righteous, withering, aggrieved. “Do you want Paul Verhoeven to finish this motherfucker?” he shouted, an inch from Arnold Schwarzenegger’s face, after the actor went AWOL from the set of “True Lies,” a James Bond spoof that Cameron was shooting in Washington, D.C. (Schwarzenegger had been giving the other actors a tour of the Capitol.) Cameron has mastered every job on set, and has even been known to grab a brush out of a makeup artist’s hand. “I always do makeup touch-ups myself, especially for blood, wounds, and dirt,” he says. “It saves so much time.” His evaluations of others’ abilities are colorful riddles. “Hiring you is like firing two good men,” he says, or “Watching him light is like watching two monkeys fuck a football.” A small, loyal band of cast and crew works with him repeatedly; they call the dark side of his personality Mij—Jim backward.

The pressures on Cameron are extreme, never mind that he has brought them on himself. His movies are among the most expensive ever made. “Terminator 2” was the first film to cost a hundred million dollars, “Titanic” the first to exceed two hundred million. But victory is sweeter after a close brush with defeat. “Terminator 2” earned five hundred and nineteen million around the world, and “Titanic,” which came out in 1997, still holds the record for global box-office: $1.8 billion.

Cameron is fifty-five. It has been twelve years since he has made a feature film; “Avatar,” his new movie, comes out on December 18th and will have cost more than two hundred and thirty million dollars by the time it’s done. He started working on it full time four years ago, from a script he wrote in 1994. “Avatar” will be the first big-budget action blockbuster in 3-D; Cameron shot it using camera systems that he developed himself. He is a pioneer of special effects: the undulating water column of “The Abyss” and the liquid-silver man of “Terminator 2” helped to inspire the digital revolution that has transformed moviemaking in the past two decades. The digital elements of “Avatar,” he claims, are so believable that, even when they exist alongside human actors, the audience will lose track of what is real and what is not. “This film integrates my life’s achievements,” he told me. “It’s the most complicated stuff anyone’s ever done.” Another time, he said, “If you set your goals ridiculously high and it’s a failure, you will fail above everyone else’s success.”

Man of Extremes: The Return of James Cameron Read more!

Boston Legal: October 3, 2004 – December 8, 2008

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U.S Box Office December 4-6, 2009

#	Title	Dec 4 - 6		% Chg.	Theaters	Weeks	AVG	Cumulative
1	The Blind Side	$ 20,043,181		-50.0	3,326	3	$ 6,026	$ 128,867,559
2	The Twilight Saga: New Moon	15,427,628		-64.0	4,124	3	3,741	255,363,052
3	Brothers	9,527,848			2,088	1	4,563	9,527,848
4	A Christmas Carol	7,763,244		-50.7	2,546	5	3,049	115,249,331
5	Old Dogs	6,892,265		-59.2	3,425	2	2,012	33,924,385
6	2012	6,771,665		-61.6	3,220	4	2,103	148,958,486
7	Armored	6,511,128			1,915	1	3,400	6,511,128
8	Ninja Assassin	5,061,499		-62.0	2,503	2	2,022	29,821,996
9	Planet 51	4,386,873		-57.1	2,904	3	1,511	34,052,876
10	Everybody's Fine	3,852,068			2,133	1	1,806	3,852,068

Source: Box Office Guru Read more!

Music in Film: Ronin

Music by Elia Cmiral



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'Harry Potter and the Deathly Hallows' First Look

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Tv Schedule: December 7-13, 2009

Monday December 7

Gossip Girl S03E12 "The Debarted"

How I Met Your Mother S05E10 "The Window"

The Big Bang Theory S03E10 "The Gorilla Experiment"


Tuesday December 8

Melrose Place S01E12 "San Vicente"


Wednesday December 9

Nip/Tuck S06E09 "Benny Nilsson"


Thursday December 10

Fringe S02E10 "Grey Matters"

30 Rock S04E08 "Secret Santa"


Friday December 11

Dollhouse S02E07 "Meet Jane Doe"
S02E08 "A Love Supreme"


Sunday December 13

Dexter S04E12 "The Getaway" (Season Finale)

Californication S0312 "Mia Culpa" (Season Finale) Read more!

Matt Damon: The Actor of the '00s

By R. Emmet Sweeney on 11/30/2009 IFC.COM

Quietly and unexpectedly, Matt Damon has become the premier Hollywood actor of the past decade. He's lent his minutely constructed, surprisingly athletic performances to the films of directors Steven Soderbergh, Gus Van Sant, Paul Greengrass, Martin Scorsese and Clint Eastwood, a roster that's not coincidentally produced some of the most vital and successful films of the past ten years.

His remarkable career isn't simply a matter of a good agent. It's all in the manner in which he so carefully adapts his particular skills to the roles.

Damon's commitment is displayed on his body, which he relentlessly crafts to the specifications of each character -- he's almost the anti-movie star in his physical malleability. Take a look at how he changes from "The Bourne Identity" in 2002 to the Farrelly Brothers' "Stuck On You," a year later. In the former, he carved himself down to muscle and bone, a tightly packed bundle of paranoia and frightening physicality. For the latter, he packed on a paunch, with his granite Bourne-head turned into a model of doughy affability. He managed a similar weight gain more recently between 2007's "The Bourne Ultimatum" and this year's "The Informant!", and as the latter film's Mark Whitacre, he achieves his most finely modulated performance underneath layers of fat and a fake nose.

These types represent the two poles of Damon's preferred personas: withdrawn nebbishes or moody muscular specimens. The first group would include the "Ocean's" franchise, "Stuck On You," "The Good Shepherd," and "The Informant!". The second contains "All the Pretty Horses," the "Bourne" franchise, "The Departed" and the forthcoming "Invictus." "Gerry" lies somewhere in between. But each extreme utilizes his physicality, with his literally weighty roles emphasizing the slapstick and satire of uncooperative bodies instead of the precise control of his action work. Even in "The Good Shepherd," Damon buries himself in a trenchcoat and wire-rimmed glasses, eschewing parody but emphasizing his CIA analyst's passivity and hyper-intellectualism.

The Naughts: The Actor of the '00s

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U.S Box Office November 27-29, 2009

#	Title	Nov 27 - 29		% Chg.	Theaters	Weeks	AVG	Cumulative
1	The Twilight Saga: New Moon	$ 42,870,031		-70.0	4,042	2	$ 10,606	$ 230,947,696
2	The Blind Side	40,111,364		17.6	3,140	2	12,774	100,238,841
3	2012	17,651,729		-33.2	3,444	3	5,125	138,451,427
4	Old Dogs	16,894,511			3,425	1	4,933	24,228,546
5	A Christmas Carol	15,758,273		28.4	3,013	4	5,230	104,927,816
6	Ninja Assassin	13,316,158			2,503	1	5,320	21,193,565
7	Planet 51	10,218,641		-16.8	3,035	2	3,367	28,487,409
8	Precious	7,081,032		-34.9	663	4	10,680	32,433,482
9	Fantastic Mr. Fox	6,965,267			2,033	3	3,426	10,024,072
10	The Road	1,502,231			111	1	13,534	1,977,453

Source: Box Office Guru Read more!