Bruce Wayne:The Pilot Script part 1

Here's a synopsis of some of the things you would have found in the pilot episode of Bruce Wayne:

The Teaser:

It's Masterpiece Theatre, Batman style. "How did it all come... to this?" the voiceover asks. We see a small side-cavern at night, full of momentos of times past. The voice is that of Alfred Pennyworth, who explains that he begins this narrative to explain what led himself and his employer to get to their current remarkable state of affairs. The aged hand is holding a photo, full of young people with "faces full of promise." The image fills the frame and dissolves into the "present day" setting.

Cut to a police station is London. Alfred is bailing young Bruce Wayne out of jail. He's gotten in a fight, yet again. Bruce is only a few days away from his 18th birthday; he's rich, and a noted celebrity as big as JFK Jr. or Prince William. "Master Bruce has 'issues'," Alfred tells the police superintendant who asks if this sort of thing happens often.

As Bruce is released, he tells his cell mates "so long," that his ride is now here. It is at this time that Alfred tells him that the trustees have called. Bruce Wayne's presence is required in Gotham City "as soon as possible."

"I'd rather stay here," Bruce tells Alfred. "We have no choice," he is told. Alfred looks grim. Bruce sees that he's serious. He's angry, but he nods. It's time to leave. Cue credits.

Act One:

Act One begins with a flashback to the fateful night when Thomas and Martha Wayne were gunned down in front of their small boy on Crime Alley. They were exiting a neon-lit theater; there to see "The Mark of Zorro." In the shadows lurks a dark figure...

...then young Bruce Wayne wakes up. He's having a nightmare about the night that his parents were killed. Bruce is now safe, in a private jet, in flight with Alfred.

Bruce looks at the book Alfred is reading. "Troubled Teens." He gives Alfred a "give me a break" look. Alfred highlights passages and tsk-tsk-tsks. Really, this take on Alfred Pennyworth is by far the best part of the Bruce Wayne pilot script. For a show about something as dark and foreboding as Batman it's almost a refreshing surprise to see such humor. It must be pointed out that the humor and wit are not camp; although a bad actor could easily ruin it.

For those curious, when reading this I (the writer of this article, Craig Byrne) was picturing an Anthony Stewart Head type. Granted, Head was busy with Buffy at the time but it's someone with that Giles-like dry wit.

Bruce turns on the television, and this is where the viewer learns more about what a big celebrity Bruce Wayne is in this world. Every station he turns to, talks about Bruce's return to Gotham City for the first time in 12 years. Oprah, MTV, Wall Street shows... he's the topic of conversation. One of the programs Bruce passes is the gossip show Gotcha! hosted by a young Vicky Vale.

Not only is Bruce known for his millions but he's somewhat of a teen idol as well. Young girls gossip about him and lust after him the same way a girl of 1999 would carry on about N-Sync.

Alfred warns Bruce that the U.S. media is a lot more offensive than their counterparts in Europe.

The plane lands in Gotham City, and Bruce looks out. "Who in their right mind would want to live there?" he asks Alfred. "Five generations of Waynes, sir. Not counting you, of course." Bruce tells Alfred he wants to sign the papers which would give the Waynecorp trustees the right to continue running his company and get out of there.

Bruce says something to Alfred about feeling like he's supposed to do something with his life, but that running "some stupid company" is not part of the plan.

As they deplane at the private aviation terminal, Alfred and Bruce are mobbed by the press. Photographers are everywhere, and it's a frenzy. Finally, at night, the two arrive at Wayne Manor.

Everything is covered in dust. Alfred apologizes that there was no time to bring anyone to clean. Again, the wit of Alfred shines through, though in this scene he almost evokes C3PO.... right up to continuing talking even after Bruce is far down the hallway.

Bruce stares at a portrait of his family. He broods and his eyes water. Suddenly, someone is behind him. It's Alfred. A jarred Bruce snaps at Alfred to please make some noise when he approaches. "Habits of a lifetime, not easily broken," Alfred tells him.

Alfred's a man of many hats. It's not very long before he's in the kitchen, in fancy chef whites, preparing a souffle. Bruce tells Alfred he's going out. Alone. Alfred looks alarmed.

The scene cuts to Bruce hurrying out, and already - there's Alfred, in a chauffeur's uniform, holding open the door to the Rolls. Bruce comments on Alfred's changing of uniforms so quickly. Alfred tells him it's because he was a tenor in the Footlights Club in Cambridge, and he played many parts. "I thought you were a medic, in the British Commandos," Bruce says. "Indeed I was," Bruce is told. It seems Alfred's past is shrouded in mystery, because there's no way he could have done all of these things in his previous days.

Bruce instructs Alfred to go to the seedier part of town. The mean streets look awful. At a certain point, Bruce tells Alfred to stop. They've arrived at Crime Alley.

The old movie theater is boarded up now. Bruce visits the very place where his parents were killed. More flashbacks. Bruce talks to Alfred about the night, reveals that he was the one who insisted on seeing "The Mark of Zorro" in that part of town. His parents said no, but be threw a tantrum. "I had to see Zorro," he explains. "A silly movie about a 'hero' who wears a costume and fights crime."

Some thugs come up the street. Alfred tells Bruce that they should go, but Bruce, of course, wants a fight.

The thugs ask him "Who do you think you are? Think ya own this street or what?" They start fighting. Alfred interrupts to remind him that actually, with all the "subsidiary of WayneCorp" signs on the buildings in development on the street, he actually does own the street.

One thug demands Bruce's wallet. Bad move. Bruce uses some martial arts moves against the thug. The thug drops his gun, and Bruce mocks it and starts making fun of the "gangsta" way the thug was holding it. He starts tormenting and teasing the thug, who demands his gun back. "Sure," Bruce tells him, but not after dismantling the gun into several parts.

"May I point out that engaging ignorant hoodlums in violence is no substitute for qualified, professional therapy," Alfred tells Bruce. "Therapy takes years," is Bruce's response. It's at this time that it is revealed to the viewer that Bruce has had 12 years of martial arts training all over the world. "I appreciate your need to never feel weak and helpless again, but you're rich! Hire a bodyguard!" Alfred tries to tell Bruce. Bruce tells him that he likes fighting because he's good at it. Alfred suggests opening a karate school. Bruce then K.O.'s the last thug and adjusts his clothes.

Now that the thugs are properly taken care of, they've got to be taken someplace. So, it's a trip to the Gotham police station. On the way there, Alfred tells Bruce that he really needs to cover up that martial arts ability or the next time, they'll either attack in greater numbers or shoot first. Not to mention, the potential for lawsuits.

Bruce and Alfred drop the thugs off at Gotham PD. The desk sergeant asks for the gun, which is now in parts. Their report is ignored for the most part. They are told they need to talk to a detective, and all of the detectives have already gone home. Bruce asks what they are then supposed to do. The desk sergeant shrugs. A young voice is heard. "My dad's still working...." It's a spunky young red-haired girl, around 13 years old. Her name is Barbara Gordon.

The desk sergeant is annoyed. "My dad's a detective," Barbara tells them. "He's gonna be Commissioner someday." Then she looks at Bruce, and immediately recognizes him. She's very excited, and tells him she has saved many teen magazine articles about him.

The desk sergeant, upon hearing it was Bruce Wayne that he just blew off, suddenly pays attention. He offers to call Lieutenant Flass, who will come and take Bruce's statement personally. Bruce tells the desk sergeant to forget it. He's going upstairs to see Barbara's dad and talk to him. Barbara takes him upstairs, babbling the whole way up. She tells Bruce that her mother died a year earlier and so now it's just the two of them, and if she doesn't take her dad dinner upstairs, he's not going to eat. As Barbara's babbling, the desk sergeant is speaking quietly on the phone, warning somebody that Bruce Wayne is there talking to "you-know-who."

Bruce and Barbara get upstairs, and Bruce recognizes the cop behind the desk. He remembers one rookie cop who comforted him the night of his parent's murder, a fellow whose nametag read "J.W. Gordon." Now, Jim Gordon isa detective for the police.

Gordon doesn't recognize Bruce at first, but upon being introduced, he needs to cover up some "sensitive information" on a chalkboard in the office. It's a diagram with all arrows and lines leading to WayneCorp. Bruce notices it. What is it? What's going on?

Bruce brings up the fact that he recognizes Gordon. "You were there. When my parents were murdered." Gordon acknowledges it. "So. Who killed them?"

Act Two

Gordon shows Bruce the files he had on the Wayne case. Unfortunately, the killer was never found. Gordon asks if Bruce will testify at the trial of the thugs, and Bruce tells him that he's leaving town, that he is only there for family business.

Gordon and Bruce talk about WayneCorp a little bit. Bruce tells him he's going to sign over the papers to let the trustees run things. "I don't want anything to do with Gotham City," Bruce tells him. After some discussion and an offer for dinner from Barbara, it's time for Bruce to go. As Bruce is about to leave, Gordon asks Bruce if he's meeting with Charles Palantine at WayneCorp. Bruce nods, and wonders if Gordon's words are a warning....

Cut to Palantine's office, as the man greets Bruce. Palantine's one of those slimy big business types who acts all nice on the inside but you know he's lower than dirt on the inside. Think of a cross between Lionel Luthor of Smallville and Emperor Palpatine from Star Wars (though surely, the name is what brought that thought up).

Bruce asks Palantine why the police are investigating WayneCorp and Palantine brushes him off as if he's asking something ridiculous. "The police commissioner is a close personal friend of mine," Palantine assures. Palantine spends time assuring Bruce that business is not something he wants to do, and that signing the company over to the trustees is the right thing. Bruce is about to sign, as Alfred clears his throat. Bruce takes this as a hint, and tells Palantine he's going to take the papers home to look over. Getting desperate, Palantine assures Bruce that WayneCorp has lawyers who can explain things. Bruce is distracted by the sight of an old friend - Lucius Fox.

Lucius Fox's father worked at Wayne Manor when Bruce was a boy, and Lucius and Bruce were friends. Now, Lucius is an intern for WayneCorp. His father died in "an accident" while working security at Wayne Chemical. After some brief introductions, Palantine reminds Bruce that he needs the papers signed first thing in the morning. After all, his 18th birthday is in only two days...

On the elevator on the way out, Bruce sees that Alfred is worried about what happens if he signs those papers. "And I'm worried what will happen if you don't," Alfred tells him. "Do you know who inherits your estate if you are killed before you turn 18? Your guardians. The Board. Palantine." Alfred now knows why Bruce's return to Gotham was so urgent.

Bruce says he needs to find a trustworthy lawyer ("an onymoron," Alfred tells him) who can help him read the papers. "It's a good thing Harvey just finished first year law..." Alfred is surprised by Bruce's suggestion. A visit to Bruce's friend Harvey Dent is in order. After all, around the time Alfred was making a souffle he was interrupted by an invite to a party at Harvey's place.

Harvey's a few years older than Bruce, a party guy who's "been thrown out of the best prep schools" with Bruce. He's an easygoing, fun loving kind of guy, the popular type everyone loves to be around. He has a sister named Susan who he's been trying to introduce to Bruce for ages. As Bruce and Alfred arrive there, Harvey's having a costume party. "I know how you hate costumes, I knew you wouldn't come," he tells Bruce. Harvey says he'll look at the papers later, but right now it's time to party.

Bruce turns to Alfred and says "We're the only ones not in costume." Alfred puts on a chauffeur hat and tells him "Speak for yourself, sir."

Bruce awkwardly walks around. A door opens behind him, and out of the darkness come two arms with long claws reaching out of the shadows. A stunning woman in a tiger walks out. It's an exotic 20-year-old by the name of Selena Kyle. She apologizes for coming out of the darkness, but the claws prevented her from being able to turn on the light in the bathroom. "Luckily I can see really well in the dark," she tells him. Bruce, already very attracted to this woman, talks to her for a moment, before she tells him that Harvey is gesturing for him to come over. Bruce complains that it's probably Harvey wanting to introduce him to his sister, yet again. Harvey drags Bruce away from his new friend. "If I see you with Susan, I'll rescue you," she promises.

Harvey puts Bruce out on the balcony, and tells him to stay there until he finds Susan. Bruce tries to go back in, but the door is now locked. Bruce turns around, and sees a beautiful view overlooking Gotham. He then hears a voice, "From up here, it looks... peaceful." It is a girl in an angel costume. She's beautiful. Literally the girl of one's dreams. Bruce has a brief conversation with this girl, about Gotham, about Harvey. This girl's angel is the pure opposite of Selena Kyle's sexy, seductive cat. The girl asks Bruce what it is he does. He's comfortable, and is talking... when claws begin to drape Bruce's shoulders. "I missed you!" It's Selena again, totally ruining Bruce's chance at knowing the beautiful angel girl. "I'm bored. Show me Wayne Manor!"

The angel girl now knows for sure who it is. It's Bruce Wayne, "millionaire playboy." "What the hell are you doing?" Bruce asks Selena. "Rescuing you, idiot!" Harvey then walks in on them. "Susan! So you finally met Bruce!"

Susan's now turned off, believing Bruce to be nothing more than a playboy like her brother. Selena is also exasperated, and tells Bruce not to do her any more favors. Both women leave.

"You didn't tell me Susan was BEAUTIFUL!" Bruce exclaims to Harvey. "I've got to find her! And explain!" He rushes to the door, but Alfred appears and stops him. "There was an urgent message at home from Sgt. Gordon," Alfred tells him. "He wants you to meet him. At Wayne Chemical. Now."

Bruce thrusts the papers into Harvey's hands, and tells him that they're life and death level of importance. With that, Bruce and Alfred rush off, and head toward the exterior to Wayne Chemical.

Bruce insists on going out of the car alone, which irritates Alfred. He hears Jim Gordon from inside an access hatch. He meets with him, and Gordon shows him a glowing green pool of chemical hazardous wastes. The dumping was made illegal years ago, so what's going on here? And why are some bodies being pulled up from the river?

"This is why you called me to come here?" Bruce asks. "I didn't call you," Gordon says. Suddenly they hear the access hatch up above slamming closed and locking. Next comes the sound of huge valves creaking open. Then, finally, the roar of rushing water. They're trapped!
Source:Gotham Clock Tower

Tags: bruce wayne, batman, tv, entertaiment, dc, comics, pilot, script